As I helped compile the listing of Imperial Russian Literature for the Classics Circuit a few months ago (found here), I found my TBR list growing exponentially: there are so many authors I want to read that I just don’t know when I’ll get to them all. Through my searches at the library and at Amazon.com, I discovered a volume by Penguin Viking: The Portable Nineteenth-Century Russian Reader. It was just what I was looking for: stories, novellas, and poems from twenty different Imperial Russian writers.
I intended to read the entire volume for the Circuit (about 600 pages), but I’m finding that summer living has made reading time scarce. Even reading half the volume, though, makes for quite a long post here, so I hope you don’t mind. I read the authors I had never read before and share my thoughts below: Aleksandr Pushkin, Nikolai Gogol, Mikhail Lermontov, Sergey Akaskov, Karolina Pavlova, and Ivan Goncharov. Some of them are writers that I intend to revisit. Other writers were a good read, but I’ll probably not revisit them.
According to Merriam Webster, superfluous means “exceeding what is sufficient or necessary: extra; not needed: unnecessary.” As I read the collection of stories, poems, and novellas, I couldn’t help thinking of that word. Ivan Turgenev wrote the novella “The Diary of a Superfluous Man” in 1850, which focused on one of the gentry who lived a rather aimless life. I haven’t read the novella (it is not in my Reader), but I read Mel u’s post about it early in the Classics Circuit Tour. As I read my selections, I kept thinking about how each story or poem seemed to discuss one of these “unnecessary” people in Russian society. Reading Russian literature in that light is quite depressing, yet the stories are, for the most part, wonderfully drawn together. (more…)