What Matters in Jane Austen? by John Mullan (Bloomsbury, 2012) is a literary theory light book for the masses of Austenites around the globe. But I hope that does not scare casual readers away from it, because What Matters in Jane Austen? is full of observations about the novels to help even the most casual of readers fall in love with Austen’s well crafted novels once more.Continue Reading
In 2012, I enjoyed starting off my year with a Shakespeare reading month. I have decided to go for it again, and I would love to invite other friends to join in!
In January and February 2013, I plan on starting off my 2013 classics reading year with reading books by and about the Bard. I hope to get 6-10 different things read: plays and poetry by William Shakespeare, books about the man or his plays, or adaptations for children. This last year I decided to focus on the Henry VI plays. I really enjoyed them. I am planning on dedicated a month or a month and a half to this project. I’ll read until I get ready for something new!
I have not decided yet what to focus on for his plays, but I do have a few nonfiction books I have had my eye on. In the beginning of January, I’ll post my reading plans, and I’ll invite anyone who wants to join in to do the same.
I’m hoping, somehow, I’ll find a way to make it worth your while if you do join in. A prize, perhaps in the form of books, for one of our participants? I’m still pondering the feasibility of offering a giveaway to you, my friends.
Would you like to join me in starting of with the Bard in January and February 2013?
Edna Pontellier is a 29-year-old mother of two in late nineteenth century Louisiana. As befits a woman in her station, she has maids to clean, cooks to prepare her food, and a nanny to care for her young ones. As Kate Chopin’s novella The Awakening (published 1889) begins, she is spending her summer vacation at a lake, where she begins to see her husband’s treatment of her, her pointless “proper” behavior, and especially her own sexual identity in a new light. For the first time, she recognizes herself as more than the superficial image her era dictates her to be. As she develops a friendship with a young man, Robert, Edna becomes awakened to her own limitless possibilities for self-determination.
At once both a feminist tale and a sexual awakening story, The Awakening delves into the complex emotions of a woman searching for herself. Edna searches for ever-elusive happiness, and when society fails to meet her in her newly discovered self, she abandons the social mores and traditions for her self. Although The Awakening is short, I found it to be an intriguing look into society of the late nineteenth century American middle class, as well as a story that may unfortunately be all too resonant to women today.Continue Reading
In A Little Princess (1905), Francis Hodgson Burnett creates a turn-of-the-century London-based Cinderella story. The protagonist, Sara Crewe, is a truly remarkable heroine. Although raised with extravagant wealth and spoiled with whatever servants, toys, clothes, and so forth she could desire, she remained kind, pleasant, sensitive, and polite.
But reading of a perfectly spoiled child, no matter how remarkable she is, does not make for a fascinating story; one needs conflict to drive the action. In Sara’s case, her adversary is the head mistress of her London boarding school, Miss Minchin, as well as a few other girls in the school who are jealous of her status. When Sara’s fortunes are unexpectedly reversed on her eleventh birthday, her life is placed squarely in the hands of the cross Miss Minchin, who now feels she has a right to put young Sara to work in order to get the unpaid bills covered.
I have compared Sara’s plight to Cinderella, and A Little Princess is a formulaic story. It did feel incredibly familiar, so maybe I did read it or watch a movie version of it at some point. But even if this was my first exposure to the story, it is pretty clear what will happen. This does not necessarily detract from the story. A Little Princess is a story about positive attitude, believing in oneself, and living with positivity and politeness, as if one were a “princess,” even in dire circumstances.
A Little Princess is the kind of book I would have loved as a young child. Sara has an adored doll she talks with (as had I as a young girl). Sara dreams she is a princess, something I likewise enjoyed pretending. She loves to read and to learn, and lives in the stories she imagines as I always have loved doing. I was a romantic, naive child, and in many ways Sara was the same. When her fortunes changed, she depended on her pleasant imagination to get her through. Sara was the perfect girl, the girl I wished I could be.
All that said, as an adult, I found Sara annoyingly too good. I am afraid I am like Miss Minchin: someone so “perfect” would have driven me nuts. I don’t want to be mean as Miss Minchin is, but I’m afraid that’s more in my character. To go along with my pessimistic view of human nature, I’ll add that Sara’s attitude just didn’t strike me as realistic. Personally, I don’t subscribe to the “positive thoughts gets you better” philosophy, so the convenient healing of ill old gentlemen, while it added to the charm for children, simply made me roll my eyes. The book was certainly not a favorite for me this time.
However, even with those inherent feelings of “Oh gag me. No one is like this!”, I still can’t wait to read it to my little girl, when she gets a little older. There are important concepts in the story. I want my children to learn, like Sara did, that no matter what their circumstances, they can rise above them by remembering who they are, including being both my child and a precious spirit child of God. I believe in that in some respects, then, my son is a “prince” and my daughter a “princess”, and I hope I can instill that deep in their hearts, much as Sara’s father did for her.