Robinson Crusoe Adaptations for Children

In Chapter 6 of my history of children’s literature textbook, Children’s Literature, Seth Lerer indicates:

Almost from its original publication in 1719, Daniel Defoe’s Robinson Crusoe had an immense impact on literature for children and adults. It has been widely seen as one of the first major novels in English; as the stimulus for a range of adventure stories; as the kernel for abridgments and adaptations; and as the marker for particular personal and political experience. (page 129)

I can believe that. I liked Robinson Crusoe’s themes (reviewed here), and I can see how people through history could pick and choose various themes to expand upon both in criticism and when creating adaptations.

For the sake of this month’s project, I decided to look at some of the modern-day abridgments and adaptations of Robinson Crusoe to determine how it is still viewed. In Lerer’s analysis of some of the adaptations from the 1800s, he observers that many of the themes of Robinson Crusoe are taken away in making it an adventure story, and each rewritten version focused on a different moral lesson. The main difference among all the early retellings was the tone (page 137).

I came to this project torn as to whether abridgments for children are good. I wished that I could determined that adapters are more faithful to the original in this day and age, but I also wished I could suggest that everyone just stay with the original,  simply because I like classics to be left alone.

In the end, I’d suggest that there are similar changes in tone in the various children’s adaptations of Robinson Crusoe today, and some of them eliminate or completely rewrite the major themes of Robinson Crusoe. But this is not always bad. Continue reading »

Quote from Flaubert: Pleasures of Reading

“And indeed, what is better than to sit by one’s fireside in the evening with a book, while the wind beats against the window and the lamp is burning?” …”One thinks of nothing,” he continued; “the hours slip by. Motionless we traverse countries we fancy we see, and your thought, blending with the fiction, playing with the details, follows the outline of the adventures. It mingles with the characters, and it seems as if it were yourself palpitating beneath their costumes.”

Monsieur Leon, in Madame Bovary by Gustave Flaubert, Part II, Chapter 2

(I’m almost done with Madame Bovary … and I’m loving it! Review to come soon!)

Where do you enjoy reading?

Judging a Book by Its Cover

It’s not Maupassant’s fault, but I have a grudge against him already: his book stinks.

The librarian had to retrieve it from The Stacks. The first thing I noticed as she returned was its size. At more than 1300 pages, it thudded on the counter. Then, as she swiped my library card and pushed the book toward me, I smelled it. Musky. Old. Like a 1950s house that hasn’t been aired out in decades. Like puke-colored green shag carpet.

The cover itself isn’t too bad: the top two-thirds has the long title and subtitle and editor written in plain print across a faded (and stained) orange background. Bizarre green faces stare at me from the bottom third of the page.

Then I opened it. The text is about 8 point font. A story ends and the next begins on the same page (that bothers me: a story should stand by itself). And each page is as thin as skin. The book is probably 11 inches tall and 5 inches wide, so with 1300+ pages, a heavy cover, and Bible-thin pages, it’s kind of hard to curl up in bed for some comfort reading. Continue reading »