Classics, Nonfiction, and Children's Literature
Catherine the Great: Portrait of a Woman by Robert Massie was a book that read on a whim. I was testing out my new phone and wondered how well the OverDrive app would sync with the app on my tablet. To test it, I downloaded Catherine the Great from my local library and started to
In early nineteenth century Russia, one’s status is decided based on how many enslaved workers (serfs) under your name. Likewise, property owners do not pay taxes on the land own but rather on the number of serfs assigned to them at the last census. Even if a serf dies, a property owner must pay taxes
The following post contains spoilers for War and Peace by Leo Tolstoy. I really didn’t intend to write yet another post on War and Peace, but as I was reviewing comments, I decided that Katrina had a fair point. I need to write about my disappointments in Tolstoy’s women.
Sharing just my initial reactions are not enough for War and Peace, given its length and depth. I feel I should think about it some more. I’m ready to do so, now that I’ve let it sit for a week. I think I needed that week. I have not read much at all this week
If you follow my twitter stream, you may have noticed that in the last few days a few complaint tweets about the never-ending nature of Tolstoy’s War and Peace. Well, it ended. This morning I finished the last fifteen pages. My book club discusses it tomorrow night, but I wanted to record my initial impressions
My Caldecott challenge: Although these Caldecott winner and honor books are not, for the most part, books I’ve read aloud to my son, I still found them interesting. A few I had strong negative opinions of; they show that even books that earned the Caldecott award do become dated! I enjoyed Seven Simeons: A Russian
As I helped compile the listing of Imperial Russian Literature for the Classics Circuit a few months ago (found here), I found my TBR list growing exponentially: there are so many authors I want to read that I just don’t know when I’ll get to them all. Through my searches at the library and at
“Crime and Punishment,” says Richard Pevear in his introduction, “is a highly unusual mystery novel: the most mystified character in it is the murderer himself.” At first glance, there is no mystery. The answers to “who, what, when, and where” seem self-evident, especially since the murder occurs center stage in the first 80 pages of
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