This post contains thematic spoilers.
I have put off writing my thoughts on the prequel to the Boxcar Children series for more than two weeks now. It’s not that I didn’t like it. On the contrary, I really enjoyed seeing the children interact with their parents, relish their life on a small farm, and find their own ways of enjoying life over the course of one year. It was quite fun to revisit Henry, Jessie, Violet, and precious Benny in their home setting.
However, something about the book as a whole didn’t resonate well with me. Is it because I just can’t imagine the emotionally stable children of this book then running away and avoiding adults (such as their unknown grandfather) as they do in the first chapters of the original The Boxcar Children by Gertrude Chandler Harris? Is it because the book had to, of course, end in the death of their parents so the children would be orphans, as they are in the first chapters of the original?
The Boxcar Children Beginning: The Aldens of Fair Meadow Farm (Albert Whitman and Company, August 2012) was written by Patrician MacLachlan, a master storyteller of historical fiction in rural communities featuring close-knit families. She did a wonderful job, as always, at creating the setting in rural, depression-era America, and the children’s personalities seemed to fit the already created personalities as we know them from the other books. My son and I loved the adventures the kids had as they looked for things to do.