Madame Bovary by Gustave Flaubert
I knew that Madame Bovary by Gustave Flaubert was about an adulterous woman. But for some reason, I assumed that the title character was a despicable, ugly, tricky middle-aged woman. “Madame” makes one sound old. Besides, when I was young, my mother had a copy of Madame Bovary; it must have been an old copy of the book, and I remember an unattractive woman on the cover (a cover like this one). Just a dim memory of that cover never made the novel, and the character, seem appealing.
To my surprise, when I met Madame Bovary between the pages of Flaubert’s novel, I found that she was very young, beautiful, and skinny, and mostly known by her first name, Emma. Beyond that, the writing in this novel was full of beauty. Continue reading »
Stories by Guy de Maupassant (Favorites)
As I mentioned, Maupassant was a best-seller in his day. What makes his stories resonate with the modern reader is the attention to our own natural wants. Continue reading »
Stories by Guy de Maupassant (Introductory Thoughts)
If Guy de Maupassant lived and wrote stories or novels today, his name would appear on The New York Times best-seller lists many weeks out of a year.
As it was, in the late 1800s, his stories were best-sellers from the time the first one, “Boule de Suif,” appeared in a collection with five other previously unknown authors, until he died, mentally ill, at the young age of 42 in 1893.
But don’t let the best-seller title sway you from reading Maupassant. I tend to avoid modern-day best-sellers because, in my mind, they are (stereotypically) not written very well. But that’s not the case with Guy de Maupassant’s stories: he writes incredibly well. Continue reading »
Judging a Book by Its Cover
It’s not Maupassant’s fault, but I have a grudge against him already: his book stinks.
The librarian had to retrieve it from The Stacks. The first thing I noticed as she returned was its size. At more than 1300 pages, it thudded on the counter. Then, as she swiped my library card and pushed the book toward me, I smelled it. Musky. Old. Like a 1950s house that hasn’t been aired out in decades. Like puke-colored green shag carpet.
The cover itself isn’t too bad: the top two-thirds has the long title and subtitle and editor written in plain print across a faded (and stained) orange background. Bizarre green faces stare at me from the bottom third of the page.
Then I opened it. The text is about 8 point font. A story ends and the next begins on the same page (that bothers me: a story should stand by itself). And each page is as thin as skin. The book is probably 11 inches tall and 5 inches wide, so with 1300+ pages, a heavy cover, and Bible-thin pages, it’s kind of hard to curl up in bed for some comfort reading. Continue reading »
Literature in Translation
Chekhov’s stories (which I reviewed yesterday) are available free in the public domain via Project Gutenberg, although the translation is different from the one I read. I loved the translation I read! Compare these to passages from “The House with the Mezzanine: An Artist’s Story” to the Project Gutenberg translation. Is there a “better” translation? I think there is. Continue reading »
The Little Prince by Antoine de Saint-Exupéry
I didn’t understand The Little Prince by Antoine de Saint-Exupéry at all. I guess I’m not a child. Continue reading »
Two Stories by Turgenev
At Harold Bloom’s suggestion in HTR&W, I tackled “Bezhin Lea” and “Kasyan from the Beautiful Lands” by Ivan Turgenev. I say “tackled” because, unfortunately, these stories were evidence to me that I am accustomed to reading quickly and easily; reading them was a “difficult pleasure.” I expect not all of the stories on Bloom’s reading list will be so (dare I say it?) dull, but to me, “Bezhin Lea” and “Kasyan” failed to ignite my interest, despite the superior quality of the writing. I had intended to read all of Turgenev’s Sketches from a Hunter’s Album, but I think I’ll stop at just the two for now. Continue reading »
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rebeccarreid on Twitter
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