Foundation by Isaac Asimov

For the Try Something New Mini-Challenge as part of the Dewey’s Books Challenge, Jackie from Farm Lane Books and I teamed up to read something a little bit out of our comfort zone. We chose to read science fiction, a genre neither of us is completely comfortable with. Our choice was Isaac Asimov’s Foundation. Continue reading »

Pilgrim’s Progress by John Bunyan

Pilgrim’s Progress by John Bunyan was one of the first modern novels when it was published in 1679 and 1685 because it uses dialogue as a main tool to drive the story. As an allegory, Pilgrim’s Progress plainly tells the story of each Christian’s lifelong quest from a sinful life to eternal life using the example of a physical quest of a pilgrim named, appropriately, Christian.

I certainly appreciate the impact of Pilgrim’s Progress on the history of literature and I am very glad I read it. It is a pillar in Christian history and a milestone in western literature. Yet, reading Pilgrim’s Progress was challenging. Since it was written in the 1600s, it was a difficult writing style that didn’t “flow” as modern writing does. I would not have been so frustrated with this unfamiliar writing style had not the allegory been so poorly “veiled.” Pilgrim’s Progress was painfully didactic and instructional. In the end, it may have met the needs for the times in which it was written but it doesn’t touch me today. Continue reading »

Four Christmas Novellas by Charles Dickens

Most people have heard of A Christmas Carol, but few are familiar with Charles Dickens’ other Christmas novellas. I read his other four this season. Some were more interesting than others. The superiority of A Christmas Carol makes it clear to me why it has lasted as a “classic” through the years, and while most of these have not. Continue reading »

The Old Man and the Sea by Ernest Hemingway

While I didn’t like Hemingway’s short stories when I read them, I did enjoy Ernest Hemingway’s The Old Man and the Sea. While it has an element of sadness, there is also a beauty and majesty around its short plot. Continue reading »

Stories by Vladimir Nabokov

In his stories, Vladimir Nabokov so perfectly captures a character, or a setting, or an emotion, that I feel that the character is real, the setting surrounds me, and the emotion is my own.

His writing in these stories is so well done that I, a very amateur writer, feel the urge to try my hand at capturing the images around me, a task I will surely fail because I know I will never even remotely measure up to Nabokov’s incredible talent.

The unfortunate aspect of reading more than 60 of Nabokov’s short stories in one month is that the characters he so adroitly creates, the settings he so carefully draws, and the feelings he so perfectly captures are, for the most part, miserable, gloomy, and ultimately depressing. Also, some of his stories have fantastical elements that failed to resonate with me, and most dwell on negative aspects of human nature – subjects that weren’t pleasant for reading in bulk.

But I feel that the overall quality of Vladimir Nabokov’s writing is so extraordinary that he should be read simply for the marvelous experience that comes from reading his words, even if the reader doesn’t necessarily consider the negative underlying themes amazing. Continue reading »

How to Read Literature Like a Professor by Thomas Foster

I saw How to Read Literature Like a Professor by Thomas Foster on the “New Nonfiction” shelf at the library. I thought I’d take a glance through it when I got home, but I certainly had no intention of reading it: I have a lot of books either in progress or on my bedside table, waiting to be read. Well, about 15 pages in to it, I decided I had to read it. Despite the fact that this is a nonfiction book about how to approach literature from the point of ” what does it mean?”, I was hooked.

The subtitle is “A Lively and Entertaining Guide to Reading Between the Lines” and I think that is pretty accurate. Foster’s tone is light, amusing, and engaging as he reminds of the various recurring themes in literature. But his point is that such themes are not random guesses by your literature professors; he argues that the subtle messages and subtle references to other works of literature really just makes literature fun. Continue reading »

Stories by Nathaniel Hawthorne

After reading Edgar Allan Poe last week, I thought I’d stay in the same era and read Nathaniel Hawthorne’s stories. To my delight, many of Hawthorne’s stories perfectly fit the “gothic” theme of Halloween in a style that I loved. Even though I dislike of being “scared,” these stories were again the perfect amount of creepy for me.

One of Hawthorne’s collections of stories is called Twice-Told Tales. As I read, I began to understand why: while many stories are on the surface about Puritans in the early days of America, they aren’t really about Puritans. Hawthorne is telling us a different story. Continue reading »

Stories by Flannery O’Connor

To understand Flannery O’Connor’s short stories is understand the rural South that she was familiar with in the pre-1970s. Her stories focus on aspects character in human, every-day situations all revolving around her South, dealing with race relations, Christianity, rural versus city living, parent-child relationships, etc. She brings the reader into the settings by capturing thought processes, a style I found engaging. I enjoyed reading her stories, although they illustrated a lack of hope in human nature. Continue reading »

Madame Bovary by Gustave Flaubert

I knew that Madame Bovary by Gustave Flaubert was about an adulterous woman. But for some reason, I assumed that the title character was a despicable, ugly, tricky middle-aged woman. “Madame” makes one sound old. Besides, when I was young, my mother had a copy of Madame Bovary; it must have been an old copy of the book, and I remember an unattractive woman on the cover (a cover like this one). Just a dim memory of that cover never made the novel, and the character, seem appealing.

To my surprise, when I met Madame Bovary between the pages of Flaubert’s novel, I found that she was very young, beautiful, and skinny, and mostly known by her first name, Emma. Beyond that, the writing in this novel was full of beauty. Continue reading »

Stories by O. Henry (and Another BBAW Giveaway)

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After reading, in the past months, the short stories of Turgenev, Chekhov, Maupassant, James Joyce, and Hemingway, I found O. Henry‘s stories to be remarkably different. They were refreshingly delightful, poignant, and easy to read, and yet, I was struck by the inferiority of O. Henry’s actual writing in comparison to the others. In the end, though, I think everyone should read some of O. Henry’s stories: they are enjoyable. Continue reading »