Ah, my Wilkie! It is so nice to come back to your familiar voice!
Except no two narrators in Wilkie Collins’ novels have the same voice. It is one of Collins’ masterpieces of talent that he creates unforgettable narrators with personality and voice. His novels are such a delightful comfort read for me because they are so full of life and personality. I love a good Victorian novel, and Wilkie Collins’ sensation novels are a perfect escape.
In Poor Miss Finch, the narrator is Madame Protolungo, a widowed French woman, true to the memory of her Republican husband. She is living in England and as the novel begins, she is beginning new employment as a lady’s companion to a wealthy young woman who happens to be blind. Lucilla Finch is the daughter of the rector of Dimchurch, but due to complicated circumstances she lives independently from her father with her own fortune. When she falls in love with a young man named Oscar and a surgery is discovered that may help her regain her sight, she wants to under go the surgery at any cost so she can see her adored lover. But when Oscar’s identical twin brother Nugent arrives in Dimchurch, Lucilla’s situation is confused with humorous and sensational (of course) results!
Wilkie Collins introduces a number of fascinating and memorable characters in Poor Miss Finch: the conceited Rector, the milky mother (Mrs. Finch) of nearly a dozen youngsters, Madame Prolungo, Herr Grosse the optician, and more. Further, he creates a love triangle and a situation that is page-turning. I’ve been reading lots of more serious nonfiction lately, so reading a book full of sensational characters, situations, and exaggerations was just what I needed. Although I could look at it more deeply (think of the significance of Dimchurch versus the seaside in terms of Lucilla’s vision, for one obvious example), I chose to read this just for fun. And it was!
Poor Miss Finch, while possibly not as complex as Armadale or The Woman in White, is still a Wilkie Collins classic with delightful characters and a fun plot. I am glad I read it this fall!
When the confident orphaned young American woman at the center of The Portrait of a Lady by Henry James (published 1881) receives a fortune, it seems she will be able to live her dream life of happiness. Yet, James’ portrait of Isabel Archer’s character, emotional development, and her choices is a complex one. As a relatively independent woman, Isabel is still restricted by the social and cultural restraints of being a woman in the mid-nineteenth century. As with my read of The Mill on the Floss (discussed last week), The Portrait of a Lady annoyed me because of the limited perspective Isabel Archer was able to embrace as a woman, and her story in general frustrated me because of what did and did not happen based on Isabel’s perceived “duty” as a woman.
Although I try to avoid spoilers below, there may be some thematic discussion that could “spoil” the novel for the particular reader. (more…)
Maggie Tulliver is a quick-witted child, one with appalling manners for her strict Victorian house and community. She cannot seem to be a proper young lady. When the novel opens, she is about nine years old, and I couldn’t help adoring her childish antics, especially as she regularly brought disappointment to her mother and aunts with her lack of girlish charm. From my perspective, who wouldn’t love a girl who is so determined to read, to learn, and to be all the imaginative things she desires?
Unfortunately for Maggie, her life in small-town Victorian village does not allow for women that are different from the norm. Her story, as told in George Eliot’s The Mill on the Floss (1860), was both frustrating and emotional for me to read, because as Maggie herself desired, I wanted so much more for her. (more…)
I don’t often read middle grade fiction, but when I heard about The Cheshire Cheese Cat by Carmen Agra Deedy and Randall Wright (published by Peachtree Publishers, October 2011) at BEA in May, I was excited to read it. After all, the subtitle is “A Dickens of the Tale” and I knew that Charles Dickens and his friends were characters in the tale about animals, friendship, and finding a place. Anyone who reads this blog knows that I love Victorian literature. What could be better?
Further, since BEA, I’ve seen dozens of reviews in the blogosphere and at Goodreads, etc. talking about how fun it was to join Charles Dickens in a small inn in Victorian England. I was excited to read it, although it did take me a while to get to it.
Unfortunately, I was disappointed. It was mediocre writing, the historical aspects did not feel grandly Dickensian or Victorian (the story simply had Dickens as a character), and overall, it was just a okay story. While the tie between Dickens’s novel and Pip and Skilley’s story was creative at the end and it may give kids a positive perspective on Victorian literature (simply because Dickens is a friend), there was nothing spectacular that made me excited about the book throughout my reading of it. (more…)
I am not normally a reader of memoirs, but I’ve been finding some that work for me. The books listed in the Peresphone Books catalog have been calling me lately, and Karen’s recent review of A London Child of the 1870s prompted me to look for it in my local library system. As you know, I’m a fan of Victorian literature, and I hoped that Molly Hughes’ account of growing up in Victorian England might provide entertainment and insight into the life of children in those ages.
As with the other Persephone’s I’ve read, I was not disappointed. A London Child is not my favorite of the five Persephones I’ve read, but I enjoyed Molly’s unique descriptions of childhood. She appears to be no one out of the ordinary (although as subsequent books reveal, I think she is quite extraordinary!) (more…)