Jazz by Toni Morrison

Although I didn’t love Jazz as much as I loved Toni Morrison’s Beloved, I found it to have a similar depth. I know such depth requires me to reread it in order to truly sum up the main point of the novel. Because I’ve only read it once, I’m somewhat stumped as I go to write thoughts about it now. I am afraid these thoughts are rather jumbled and inaccurate given what the novel is supposed to be saying, so keep in mind that this is more a post about my impressions after reading it, not so much a “review.”

In some respects, Jazz seemed to capture the complexities of two different generations of African-Americans living in Harlem in the 1920s: the middle-aged and the young adult. But it also deals with redemption and forgiveness. It wasn’t a beautiful novel for me to read, but I’m glad I did read it. Continue reading »

Beloved by Toni Morrison

Although I do not like reading violent stories, one of my favorite books has such a poignant message that I love it regardless, or maybe because of, the brutal facts is illustrates.

In Beloved by Toni Morrison, the ghosts of slavery live on, even though it is the year 1873. In one sense, Beloved is literally a ghost story: former slave Sethe and her daughter, Denver, are haunted by the ghost and apparition of Beloved, Sethe’s daughter. However, the true ghost haunting 124 is more significant, for the ghost is not a tangible person, but rather memory. Even eighteen years after her escape from slavery, Sethe is haunted by her past. Continue reading »

The Lovely Bones by Alice Sebold

The narrator of Alice Sebold’s first novel, The Lovely Bones, is dead.

Meet Susie. Susie Salmon was 14 when she was brutally raped and murdered in a cornfield near her home. Now, as her family recovers and learns to live again, she watches them from her gazebo in her heaven and begins to come to terms with her own death. Despite the brutal beginning to Susie’s death, her story becomes one of celebrating life.

By the end, there were a number of things I didn’t enjoy about this book, but overall, I found it more refreshing than that simple (and potentially gruesome) summary may sound. The Lovely Bones focuses on a brutal subject (assault and murder and the aftermath) and yet, from the beginning, the tone was calm.

Because the narrator was the one who was dead, we already knew she was “okay.” In some respects, it took the entire book for Susie and for the rest of her family to come to that understanding: it is okay to celebrate the dead, and it is okay to move on and keep living and loving.

Continue reading »

Grimm’s Complete Fairy Tales

Reading Grimm’s Complete Fairy Tales was a repetitive process. My 630-page leather edition (from Barnes and Noble Books; not same version as the Amazon link at left) included numerous retellings of stories very similar; it felt as if the compilers were taking translations from multiple sources. Then again, maybe the Grimm brothers wrote down similar stories with similar themes multiple times for their readers. They were, after all, trying capture the folk tales of the era; maybe those folk tales were likewise repetitive.

The Barnes and Noble edition I read did not include an introduction, so my experience was simply with the stories themselves. Despite the repetition of stories, I highly enjoyed reading the collection, especially as I took them slowly, reading a few stories (up to 20 or 30 pages) a day, mostly in the evening before bed. True “bedtime stories.”

But these stories probably aren’t for children, unless the children are pretty thick-skinned. (Note that I classify it, on this site, as Fiction, not Children’s Literature.) Grimm’s stories had blatant morals (such as how laziness leads to your death and wicked stepmothers who abuse children must, in the end, meet their horrendous end) and gruesome violence (such as stepmothers who decapitate stepchildren, girls so desperate to get a man they cut off their toes, and travelers who blind starving fellow travelers as payment for food).

Nevertheless, I still enjoyed the retreat into a world in which the animals one meets on the path are really princes in disguise, in which the dead come back to life, and in which magical fairies and witches regularly rescue those who really are deserving of assistance.

I don’t want to live in the world of the Brother’s Grimm. The violence and retribution is horrendous. Yet, the fairy aspects of the tales made some of them magical, and I look forward to visiting other fairy tales in the future – including Charles Perrault and Hans Christian Andersen.

Have you read Grimm? What was your verdict: Violent or Magical? I, personally, am torn between the two. Continue reading »

Death and War in Children’s Literature: Two Newberys about the Revolution

There was no doubt that John Bunyan’s Pilgrim’s Progress (reviewed here) was written to teach both children and adults lesson about Christianity and life; there was little attempt to veil the message behind the story.

While the message in modern children’s literature may not be so thinly veiled, to me it seems obvious that authors still impart their subtle messages into a text that is otherwise a story. This is all the more obvious in stories for children.

Johnny Tremain by Esther Forbes (a Newbery Award winner) and My Brother Sam is Dead by James Lincoln Collier and Christopher Collier (a Newbery Honor book) both tell the story of a 12- to 16-year-old boy during the American Revolution of the 1770s. Both books were written by both accomplished children’s authors and historians; both are accurate portrayals of war. And yet, each story has a distinct message about war. What that message is should be obvious to adults when they realize that Johnny Tremain was written in the 1940s and My Brother Sam was written in the 1970s.

Note: While the following review and analysis may provide “spoilers,” these “spoilers” seem pretty obvious given the subject matter of the books: The American Revolutionary War. Therefore, I don’t believe they would actually “spoil” the book for an interested adult reader. Continue reading »