Sleepwalking Land by Mia Couto1 blends two stories of seeking for one’s identity in the midst of war-torn Mozambique. In the first, an old man and a young orphaned boy have fled a refugee camp and seek shelter in a burned-out bus on the side of the road. Near a corpse, they find a set of journals written by Kindzu. These journals, which tell Kindzu’s story, form the bulk of the novel by portraying life during the Civil War2 in a fantastical magical realism setting.
I tend to enjoy reading magical realism because it mixes fantasy in to seemingly realistic settings and gives a story a very different feel3. In Sleepwalking Land, that not-straight forward feeling was perfect in providing me, a reader unfamiliar with both Mozambican history and life during a civil war, with a dream-like introduction to life in a confusing political and violent setting. I struggled to understand the reasons behind various violence and betrayals, and yet I realized that understand the context absolutely did not matter: Couto’s book instead illustrated how life (such as it was) continued for the people in the land, and the confused tone of what was real or not provided a perfect atmosphere for the hopelessness of the era.
- First published in 1992 in Portuguese as Terra Sonâmbula; translated by David Brookshaw and published in English in 2006. ↩
- According to Wikipedia, the Mozambique Civil War lasted from 1977 (upon freedom from colonialism) until about 1992) ↩
- I must point out, however, that as in most magical realism, there is a fair amount of sexuality in this book. I personally didn’t find it very tastefully written this time… ↩