Classics, Nonfiction, and Children's Literature
In Jessie Redmon Fauset’s second published novel, Plum Bun: A Novel without a Moral (published 1928), one woman struggles to finding her own identity racially and sexually in New York City during the vibrant years of the Harlem Renaissance. Artist Angela Murray is a light-skinned “coloured” woman in the transitional years of the late 1910s
Claude McKay was born in Jamaica 1889, and in 1912, after his first volume of Jamaican dialect poetry was published in Jamaica, he traveled to the USA, eventually settling in New York City and becoming a part of the Harlem Renaissance movement of artistic expression. In Harlem Shadows (published 1922), McKay captures his shock and
Ships at a distance have every man’s wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by time. (page 1) From this beginning, Zora Neale
In her personal journal to God, young Celie tries to make sense of the incestuous rape she’s experiencing from her Pa. A few pages later, she tries to make sense of the unhappy marriage she’s thrust in to. For Celie, life entails hard work, submission, violence, and daily rapes from her (nameless) husband. Does that
Passing by Nella Larsen (first published 1929) captures the conflicts that young African-American women face in 1920s America. Although solidly a part of the Harlem Renaissance in the ways it tackles racial issues, Passing also magnificently captures a young woman’s repressed sexuality. The terms “passing” refers to a light-skinned African-American acting as white in order
The title of Lorraine Hansberry’s debut play about 1950s Southside Chicago comes from a classic poem by Langston Hughes, and Hansberry includes it as an epigram to the play. What happens to a dream deferred? Does it dry up like a raisin in the sun? Or fester like a sore– And then run? Does it
In Kindred by Octavia Butler (1979), a modern black woman’s ancestors haunt her, calling her back to them for assistance. Dana comes to terms with her own family’s history and comes to understand firsthand just what her predecessors dealt with. Kindred is not a pleasant story. After all, it deals with slavery and the question
I took a creative writing class in tenth grade. While I can’t say any of my output was remarkable, the best aspects of the class were the samples my teacher gave us of good quality stories and poetry. I hadn’t yet learned to appreciate poetry (it took two more years before that happened), yet I
I had to keep reminding myself that The Autobiography of an Ex-Colored Man by James Weldon Johnson was actually a novel. It was realistic, and it was engaging and entertaining at the same time. Even more, it has a place in history alongside true-life narratives as an account of what some African-Americans may have felt
In his narrative of life in slavery and what led him to escape, Frederick Douglass captured the chief dilemmas that slaves dealt with, including slavery of the mind. Douglass’s slavery in Baltimore and surrounding areas was horrendous, and yet it was, as he admitted, quite tame compared to those experiences that slaves on plantations in
In 1934, an African-American doctor invented a surgical procedure that allowed black people to become white (specially, Nordic) in all respects. Black No More, Incorporated, became a highly profitable business, and the people of world were forever changed. Such is the premise of George S. Schuyler’s Black No More. It caught my eye because of
The introduction to my volume of Zora Neale Hurston’s retelling of the Biblical Exodus calls this a “badly flawed novel” and I’m sure it is. Hurston is basing her novel on a Biblical tale that lacks strong women characters, and she’s trying to make it feel modern. The introduction also criticizes the stereotyped way in
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