As in his other photographic history books (Abraham Lincoln being the most well known to me), in We Will Not Be Silent, Russell Freedman tells a true story with the added addition of photographs to give the characters life. In this case, he shares about the brave students in Germany who stood up to Hitler,

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My first Thomas Hardy novel was simply fantastic. Emotionally poignant but also socially resonant, Tess of the D’Ubervilles (1891) provides an intriguing story about Victorian social and sexual hypocrisy through characters with clear flaws to recognize and appreciate. And yet, although it was clearly a commentary on the social structures and sexual morality in Victorian

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Henrick Ibsen A Doll’s House (Et Dukkehjem, written 1879) is better known than Ghosts (Gengangere, written 1881), and in my opinion, the former is also a more polished drama. Yet, when I think of one of these plays by Ibsen, I cannot but think of the other. I don’t remember which I read first, but

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Often, I consider superior writing to be more important than a superior story: if it is written well, I don’t care so much about the story because the powerful writing can carry my interest in the book. Lord of the Flies by William Golding, however, failed that test. I loved the writing: Golding’s prose is

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I’m somewhat at a loss of what to say about Gogol’s Wife and Other Stories by Tommaso Landolfi. In some respects, Landolfi’s stories reminded of Borges’ Fictions: they have elements the bizarre. I didn’t enjoy reading Borges (thoughts here), but I did sense a genius and power behind the writing. Landolfi’s writing is likewise laudable,

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