Writers and Their Teachers edited by Dale Salwak (Bloomsbury, May 2023) is an enlightening collection of essays by 20 different world-renowned authors, delving into the influential figures who shaped their writing journeys. The book gives a diverse range of perspectives, allowing for an anthology that many will enjoy reading. The anthology contains contributions from twenty

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How many times have you reread the same story? Exercises in Style by Raymond Queneau is a collection of the same story, written 99 different ways. Some of the stories are fascinating retellings in various styles. Some are stereotypes (feminine, cockney, Gallacism, exclamations), some are in different perspectives (past, present, blurb, ignorance), some are different

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Ficcciones by Jorge Luis Borges is about 170 pages in Spanish; the English translation of the same book is about 120 pages (within Borges’ Collected Fictions). Why, then, has this book taken weeks to get through? Borges’ writing style is powerful. In some sense, I’m glad I struggled through Borges just to get a feel

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In my mind, Edgar Allan Poe is the most well-known Halloween-ish short story writer. To keep up with the season, I reread some of Poe’s short stories. I enjoyed his stories when I was younger – I even rewrote “The Fall of the House of Usher” as a play for my high school’s Halloween “one-act

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After reading, in the past months, the short stories of Turgenev, Chekhov, Maupassant, James Joyce, and Hemingway, I found O. Henry‘s stories to be remarkably different. They were refreshingly delightful, poignant, and easy to read, and yet, I was struck by the inferiority of O. Henry’s actual writing in comparison to the others. In the

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Hemingway’s stories are poetry: that is my first and lasting impression of Ernest Hemingway’s short stories. In his short stories, Hemingway treats words as sparsely as do poets. I don’t usually understand or enjoy poetry because it feels like so much must be inferred or interpreted. (After I finish reading the HTR&W short stories, I’m

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My writing teachers have always instructed to “show not tell.” I didn’t understand it, really, until I began to read John Steinbeck’s East of Eden last month. I thought “showing” meant describing the character in a context: hair color, quirks, and personality traits are mentioned as the story unfolds. Here’s a silly example I just

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