Classics, Nonfiction, and Children's Literature
What Matters in Jane Austen? by John Mullan (Bloomsbury, 2012) is a literary theory light book for the masses of Austenites around the globe. But I hope that does not scare casual readers away from it, because What Matters in Jane Austen? is full of observations about the novels to help even the most casual
In Frankenstein (originally published January 1818), Mary Shelley questions what makes one human, ultimately questioning the meaning of life. When Dr. Victor Frankenstein imbues his cadaverous monster with life, he has become a God-like creator, and his monster, a gigantic being with the ability to feel all emotions and use all of his senses, is
I first read Jane Austen’s Pride and Prejudice (1813) as a young teenager. Like many girls, I loved the romance between Elizabeth and Mr. Darcy, the clever conversation, and the rags to riches aspects of the Bennet’s story. I’ve reread it a number of times since my first encounter, and I’ve also enjoyed the movie
I will not put Herman Melville’s Moby Dick (published 1851) on my favorite books list because it’s simply not a favorite novel (I shudder at each description of whale blubber). And yet, I must give Moby-Dick a solid five stars out of five for the rich reading experience it provides. I simply loved reading it.
In Jane Austen’s Mansfield Park (published 1814), Fanny Price was the oldest daughter of a poor family, sent at age 10 to live with her generous and wealthy Bertram cousins. Yet, in the lovely Mansfield Park, Fanny was constantly reminded of her lesser status and spent her days for the most part assisting the lazy
I have not read many gothic novels. The only one I’ve read is Matthew Lewis’ The Monk, which I was not a fan of (thoughts here). Notre-Dame de Paris by Victor Hugo (first published 1831) seemed far above The Monk in terms of quality. In addition to the better writing, there was the symbolic centrality
I am not as familiar with nineteenth-century American literature as I feel I am with British nineteenth-century literature, especially Victorian fiction. In fact, I don’t recall studying many American classics from the era since my junior year of high school, and I struggle to name classic authors from various decades in American literature. Walden was
Madame Bovary was a landmark book in the ways it blended romanticism and realism. Yet, its author, Gustave Flaubert despised the minutiae of everyday life, as well as the traditions and morals of society. The story of his life and how he, who despised realism, came to write a monumental novel of realism, is particularly
I finished Jane Austen’s Persuasion almost a month ago now, and I’ve been putting off writing my thoughts simply because I didn’t like it. Before you attack me with incredulity, you should know that I read it in the midst of stressful and busy time of year, during a whirlwind trip to my grandmother’s funeral,
Part of my problem with Jane Austen’s Emma (first published in 1815) lay in the main character. Jane Austen once famously said, “I’m going to take a heroine whom no one but myself will much like.” Unfortunately, such was the case for me. I disliked Emma Woodhouse’s immature manipulation of others around her, and found
According to my Harmon and Holman A Handbook to Literature, “romance” has had a special meaning in terms of literature since the beginning of the novel. As opposed to a “novel,” a term which suggested realistic manners and society, a “romance” was more unlikely to happen in reality. In common usage, [romance] refers to works
I read Jane Austen’s Pride and Prejudice as a teenager – and I loved it. Since then, I watched the A&E movie multiple times, and then last year I watched the newer movie, which was OK. I felt it was certainly time to revisit the novel itself. I was not disappointed. I loved it even
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