Sometimes a clever and intriguing story line makes a novel great. Sometimes, it is the interaction of a number of interesting characters. And other times, a novel is great because because of the carefully developed setting that gives life to the situations and characters. In One Came Home (January 2013, Knopf Books for Young Readers),
Note: this post contains “spoilers” for the first 60% of Bleak House. I have a book club discussion on this book next Wednesday night, so I have been pushing myself to read quickly: this has been my main reading material this week (after I finished 2 Henry VI, that is — more on that tomorrow,
It has been a little while since I’ve read a Charles Dickens novel, but beginning Bleak House (first published 1853) was a delightful reminder of why I enjoy this author so much: he’s so good at writing. The scene as it is established in the early passages of the novel is simply marvelous. I was
Although the RIP challenge technically ended last week with Halloween, I had one more week of ghostly short stories to enjoy. As with past weeks, I enjoyed how each of the stories I read had a different feel. Walter de La Mare’s story was probably my least favorite of the week, but I enjoyed each
I love the sweeping grandeur of John Steinbeck’s East of Eden. The characters built on each other, and I felt I was living through the experiences with them. Steinbeck’s purpose to the novel is found in the subtle and not so subtle conversations and actions of the fleshed-out characters, and in my two reads of
I was a bit disappointed by Edith Wharton’s Ethan Frome. I’m glad I read it: it gave me a new perspective on Wharton, because it was a different setting, cast of characters, and theme from those I’ve read before. It was wonderfully written, with Wharton’s elaborate and realistic descriptions of the setting and thought processes.
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