Classics, Nonfiction, and Children's Literature
Sometimes a clever and intriguing storyline makes a novel great. Sometimes, it is the interaction of a number of interesting characters. And other times, a novel is great because of the carefully developed setting that gives life to the situations and characters. In One Came Home (January 2013, Knopf Books for Young Readers), Amy Timberlake
Note: this post contains “spoilers” for the first 60% of Bleak House. I have a book club discussion on this book next Wednesday night, so I have been pushing myself to read quickly: this has been my main reading material this week (after I finished 2 Henry VI, that is — more on that tomorrow,
It has been a little while since I’ve read a Charles Dickens novel, but beginning Bleak House (first published in 1853) was a delightful reminder of why I enjoy this author so much: he’s so good at writing. The scene as it is established in the early passages of the novel is simply marvelous. I
Although the RIP challenge technically ended last week with Halloween, I had one more week of ghostly short stories to enjoy. As with past weeks, I enjoyed how each of the stories I read had a different feel. Walter de La Mare’s story was probably my least favorite of the week, but I enjoyed each
I love the sweeping grandeur of John Steinbeck’s East of Eden. The characters built on each other, and I felt I was living through the experiences with them. Steinbeck’s purpose to the novel is found in the subtle and not so subtle conversations and actions of the fleshed-out characters, and in my two reads of
I was a bit disappointed by Edith Wharton’s Ethan Frome. I’m glad I read it: it gave me a new perspective on Wharton, because it was a different setting, cast of characters, and theme from those I’ve read before. It was wonderfully written, with Wharton’s elaborate and realistic descriptions of the setting and thought processes.
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