I have not read many gothic novels. The only one I’ve read is Matthew Lewis’ The Monk, which I was not a fan of (thoughts here). Notre-Dame de Paris by Victor Hugo (first published 1831) seemed far above The Monk in terms of quality. In addition to the better writing, there was the symbolic centrality of the imposing image of Notre-Dame, the multi-faceted characters, and the balance of the horrific action of the story with the symbolic and romantic resolutions.
Notre-Dame de Paris is often translated with the title The Hunchback of Notre Dame, but I don’t like that title as much as the original. Quasimodo, the hunchback of the story, is not the only focal point: the architecture of Notre Dame and the relationship between the two societal outcasts, Esmeralda and Quasimodo, is what drives the novel.
Although much in the beginning of the novel bored me, the action in the last half brought me around again. By the end, I liked it. The novel is firmly in the gothic Romantic tradition: a medieval setting, a wicked monk, outsiders seeking their place in society, attempted rape, horror and murder, and convenient resolutions.
This post contains spoilers of Notre-Dame de Paris.Continue Reading