Milton in May: Comus and Lycidas by John Milton

John Milton is much smarter than I am. Reading Paradise Lost, I haven’t felt that lost because I’m familiar with the general religious traditions he’s talking about. There are “pagan” traditions mentioned too, but I haven’t felt lost, and footnotes help. Reading Milton’s early writings is a different story. I feel like he’s purposely trying to add in every ancient tradition he has ever heard of before, even if it’s just name-dropping. Comus was pretty blatantly calling on other traditions, and “Lycidas” was a bit more subtle as it echoed antiquity but apparently Milton did and I missed it. I much preferred the second, even if in reading commentary, I find I’ve “missed” a lot of the political, contemporary, and traditional references.

Note: If you are looking for the Golden Age of Detective Fiction post, I should get to it by tonight. My next Paradise Lost post will come tomorrow sometime!

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King Lear by William Shakespeare

Cordelia's Farewell by Edwin Austin Abbey (via Wikipedia Public Domain)

Shakespeare’s King Lear captures family relationships (father to daughter, father to son, brother to brother, sister to sister) in an undeniable tragedy. Lear is betrayed by his two eldest daughters and Gloucester is betrayed by his eldest (and illegitimate) son. But although there is broken trust and mourning, there are also tender expressions of true love from children to their parents. Cordelia and her father and Gloucester and Edgar give the play a gentleness that I did not at all expect in a high dramatic tragedy highly reminiscent of the Ancient Greek tragedies.

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Medea by Euripides

Medea is another ancient Greek play by Euripides, and yet, it is completely different from the other play I read last year. I read the Rex Warner translation in The Norton Anthology of World Masterpieces (seventh edition). As I haven’t read any other translations, all I can say is that this one was refreshingly easy to read. I loved it!

Part of what I loved was the character of Medea. She was a wronged woman, but ultimately a strong one. Medea had left her home to come to a foreign land, and now she was being cast aside.  Her husband Jason had not only cheated on her but had cast her away and married another, younger woman.

Medea’s reaction to the situation and her subsequent actions are extreme. Like Lady Macbeth, she casts aside her instincts of kindness and, particularly, her motherly love. She murders her own children. But unlike when I read about Lady Macbeth, I felt Medea was in the right. She is acting out of revenge, while Lady Macbeth had acted out of selfish desire for power. I was cheering for Medea as I read her story. Continue reading »

Macbeth by William Shakespeare

When I reviewed and analyzed Julius Caesar in depth back in June, I expected that I’d do the same with all the other Shakespeare plays I read while I have had this blog. And yet, I cannot “analyze” Macbeth. While I enjoyed reading Macbeth, it was not a “deep” reading experience for me. I’ve found I’ve been putting off writing this review because I don’t have such a deep analysis to give you. In fact, while I could reread it a few times, I’m ready to move on.

My first thought when I picked up Macbeth two weeks ago was, “Wow, this is perfect for Halloween.” Macbeth starts with thunder and lightning and three very spooky witches.

My second thought was that Macbeth was amazingly readable. I didn’t find myself stumbling over sentences (especially when I read it aloud with a bad Scottish accent, hehe), but beyond that the play itself is incredibly straight forward, more so than Julius Caesar was, which I read a few months ago. Unlike Julius Caesar, I didn’t need to read commentary to understand it or be fascinated by the setting Shakespeare created.

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The Magic Flute by Wolfgang Amadeus Mozart and Emanuel Schikaneder

The Magic Flute (Die Zauberflöte) by Wolfgang Amadeus Mozart (music) and Emanuel Schikaneder (libretto) holds a special place in my life: it was an opera my husband took me to when he was courting me. It’s been four years now, but I still feel giddy when I think about that special time when we were dating.

I’ve wanted to revisit the opera since then. I can’t exactly go to the opera these days (that’s what a baby and buying a house has done to my entertainment budget!) but I have had a wonderful time in the past few weeks visiting the opera in a number of forms. Continue reading »

Wit by Margaret Edson

The Summer Lovin’ Challenge is all about rereading favorites, so can you blame me for squeezing in a short reread this week? After I made my list, I couldn’t resist. I love rereading my favorite books!

Wit by Margaret Edson is a quick read (I think I read it in about an hour over the course of a day), but is poignant because of its emotional subject matter. Despite its brevity, it is packed full of various implications. I’m sure I miss most of the subtle meanings when I read it, so I enjoy rereading it. I get more out of it each time. Continue reading »

Julius Caesar by William Shakespeare

There is something to be said for close, careful reading.

I must have read Shakespeare’s Julius Caesar with the rest of my tenth grade class, but I honestly didn’t remember any of it. I decided to read it this month as a part of the Martel-Harper Challenge, for which Yann Martel chooses “book[s] that ha[ve] been known to expand stillness.”

Reading Julius Caesar just once didn’t do anything to help “expand stillness.” I was confused: it started in the middle of a dramatic scene. I didn’t know who the characters were and why they were making the choices they made. Why did Caesar consider Brutus a friend? Why was Brutus called “honorable” when he was committing murder? What is “honor”? Did any of this really happen?

But as I spent a few days rereading portions of Julius Caesar, listening to the audiobook, watching the movie, and reading various commentaries about the play, I was enlightened. I think it did encourage “stillness” because I wasn’t just reading to turn pages; I was reading to learn and experience. I seriously loved the experience of truly reading Shakespeare, even by myself.

Note that this post contains “spoilers.” Continue reading »

Poetry for Young People: William Shakespeare

Poetry for Young People: William Shakespeare (edited by David Scott Kastan and Marina Kastan and illustrated by Glenn Harrington) goes beyond Shakespeare’s sonnets. In just 50 pages, the editors have also included some of the key speeches from Shakespeare’s repertoire.

As with other volumes in the series, each page has a bit of explanation about the poem that follows. In this case, it also gives a background to particular play the poem is from and the reasons for each speech in the midst of it. It’s a great introduction to Shakespeare’s plays — including tragedies, comedies, and histories — and it’s a great reminder of the context of the classic lines and phrases we’ve heard so often, from “Double, double, toil and trouble” to “All the world’s a stage,/ and all the men and women merely players” and “Shall I compare thee to a summer’s day?”

The paintings were prepared exclusively for this children’s book. Each illustration is mature and bright, and each is appropriate for the poem at hand. I think the illustrations are absolutely stunning.

This volume focusing on Shakespeare is the most mature of the three books I’ve reviewed from the Poetry for Young People series (I’ve also looked at Robert Louis Stevenson and Lewis Carroll). It is by far my favorite: it’s perfectly appropriate and interesting for adult and child alike.

Poetry for Young People: William Shakespeare counts for the BiblioShakespeare Challenge.

Good Masters! Sweet Ladies! by Laura Amy Schlitz

When I heard the concept of Good Masters! Sweet Ladies! by Laura Amy Schlitz (monologues given by  medieval children), I thought it would be horribly boring. Monologues? I thought. What is fun about monologues? I thought children would be bored by these “Voices from a Medieval Village.”

To my delight, I found Good Masters! Sweet Ladies! to be easy and fun to read. I loved meeting the youth of Schlitz’s created medieval village and I would love to see a group of children perform this collection of monologues: it is a collection of personalities, and it shows how every person in a village has a role, be they rich or poor. I think children would like this book as well! Continue reading »

Hippolytus by Euripides

What would a young man say or do if he learned that his step-mother had fallen in love with him?

In the play Hippolytus by Euripides, Hippolytus finds out that his step-mother has fallen for him. But what he doesn’t know is that the goddess Aphrodite has had her hand in these matters. Continue reading »