I am working on a different project today, but I came across this amazing poem by E.A. Robinson (1869-1935), who won more than one Pulitzer Prize in poetry. It’s called “Zola,” and it so perfectly captures why I disliked Germinal at the same time I absolutely loved it. If you’ve read any Zola before, you

Mem Fox is a successful children’s book author and literacy expert. Her expertise in Reading Magic (Harcourt 2001) comes across as personal and passionate, mostly because she writes foremost from her position as a mother. Her main point in writing this book is to read aloud to our children, making it a fun time and

Somehow, my thoughts on A Farewell to Arms by Ernest Hemingway (1929) were never recorded! I finished it quite a few weeks ago. As a novel to enjoy in my free time, A Farewell to Arms fell short. However, as a novel that perfectly captures the era in which it was written and the subtlety

The Comedy of Errors by William Shakespeare felt a lot like Love’s Labour’s Lost when I read it because there was misdirected love. But The Comedy of Errors takes humor to another level by adding in mistaken identity because of a double set of identical twins! In The Comedy of Errors, there are two sets

The Boy in the Striped Pajamas by John Boyne (David Fickling Books, 2006) is not a “fun” or amusing book, but it is just as highly improbable, and I think that is something every reader of it should realize: this is not a historically accurate book. The subtitle is “A Fable,” altho ugh more accurately

I had hoped that by waiting a week or two I’d know what I want to say about Love’s Labour’s Lost, but after all this time I still have very little to say. I worry that I feel this way because I read a free Project Gutenberg version of it, and as I read in

Good Prose: The Art of Nonfiction by Tracy Kidder and Richard Todd (Random House, January 2013) is a volume about what makes nonfiction great. Using their own experiences as a writer of nonfiction (Tracy Kidder, bestselling author) and an editor of creative nonfiction (Richard Todd, Atlantic editor), the two friends provide a compelling tale of