Classics, Nonfiction, and Children's Literature
When I first read about I Kill Giants at Nymeth’s and Amanda’s blogs, I thought it was a fantasy. Actually, fifth-grader Barbara Thorson is the only one living in a fantasy world. Barbara wears animal-ear headbands so she looks like a rabbit or a mouse in the illustrations. Playing Dungeons and Dragons is a escape
In the Robinson Crusoe tradition, Johann David Wyss created a story of a Swiss family that was shipwrecked on a desert island. Much as Robinson Crusoe, the family must learn to use the land to meet their needs. As with Crusoe, there is a religious element of learning to thank God for their blessings, but
Treasure Island by Robert Louis Stevenson transferred me to a world of pirates and sea-life, but best of all the boy protagonist drove the action. Because he was in the right place at the right time and made great choices, he was able to “save the day.” I think it’s perfect for a child to
I reread three E.B. White favorites from my childhood this week, and as I’ve realized with other childhood favorites, these aren’t so favorite anymore. I reread Charlotte’s Web, The Trumpet of the Swan, and Stuart Little. I enjoyed them, but they are each a little odd. I realized when I went to write up my
The Graveyard Book was my first Neil Gaiman novel. Despite the fact that bloggers seem to have a special fondness for Gaiman, I just never felt inclined to give his books a read. I’m not a huge fan of fantasy (I’m not sure why) and I’m also less inclined to read something just because the
In Chapter 6 of my history of children’s literature textbook, Children’s Literature, Seth Lerer indicates: Almost from its original publication in 1719, Daniel Defoe’s Robinson Crusoe had an immense impact on literature for children and adults. It has been widely seen as one of the first major novels in English; as the stimulus for a
Mrs. Piggle-Wiggle is a magical friend to children, with her upside-down house and delicious cookies that are always waiting for you. She’s also a wonderful help to parents, who often don’t know how to solve the problems of parenthood. When I was young I loved learning Mrs. Piggle-Wiggle’s “cures” for naughty children’s problems, such as
I enjoyed The Midwife’s Apprentice by Karen Cushman, a Newbery-winning novel. Cushman believably created a 1300s scene, and I liked learning about midwifery and superstition in the middle ages. While modern girls won’t face trials as extreme as the girl’s in the novel, they still must develop self-confidence and determine what their own dreams are.
Green Knowe is a medieval castle in the English countryside, and it is full of enchantment and ghosts. L.M. Boston’s chronicles about the manor house are full of child-like delight. And yet, describing the series as a whole is challenging. They all, but one, involved magic of some kind. They all, but one, focus on
The Adventures of Pinocchio by Carlo Collodi is almost a fairy tale. There is a magical fairy, there are talking animals, and of course, there is talking marionette who wants to be a real boy. And yet, Collodi’s tale fell just a little short of fairy tale status because of the obvious moralizing lessons: the
I loved reading The Silmarillion by J.R.R. Tolkein (thoughts here), mostly for its beautiful and flowing language, so I thought I’d next pick up The Hobbit, which is a children’s story and takes place chronologically before The Lord of the Rings. Unfortunately, I didn’t like it. I found the story tedious and the writing stilted.
Is there a movie from your childhood that you recall watching over and over and over again? One that you think of, still, with fondness? For me, that movie was Mary Poppins. In 2007, I read A.A. Milne’s Winnie-the-Pooh and loved it along with the movie; they both have their merits. So this year, I
Page [tcb_pagination_current_page] of [tcb_pagination_total_pages]
