Classics, Nonfiction, and Children's Literature
Puss in Boots illustrated by Fred Marcellino and with text translated from Charles Perrault by Malcolm Arthur (Caldecott Honor 1991) has gorgeous pictures. Each picture has a texture to it that gives it a sophisticated feel. The details are amazing. The story is the traditional story of Puss in Boots. I feel a bit ambivalent
Rapunzel by Paul O. Zelinsky is absolutely beautiful and much deserving of the 1998 Caldecott Award. Zelinsky explains in the note at the end that he was trying to imitate the Renaissance style of art because that is what he thought of when he recalled the story of a girl in a tower. The story is
Rumpelstiltskin by Paul O. Zelinsky (Caldecott Honor 1987) is a beautiful picture book that retells of various versions of the Grimm’s story. I liked the tenderness in the expression of the mother and baby and the golden room was gorgeous. Rumpelstiltskin himself was exotic and strange and highly appropriate for the story at hand. I have
Snow-White and the Seven Dwarfs illustrated by Nancy Ekholm Burkert with text translated by Randall Jarrell (Caldecott Honor 1972) is a retelling from the Brothers Grimm. I did not like this book, either the translation or the illustrations. The illustrations are infrequent and the text heavy (there is a two-page spread of text and then a
Snow White and the Seven Dwarfs as translated and illustrated by Wanda Gág is an enjoyable illustrated retelling of the fairy tale, first published in 1938. It is rather text heavy, and the story is morbidly close to the Brother’s Grimm’s account with the witch eating the boar’s heart. But in this version, the black-and-white line
Chanticleer and the Fox by Barbara Cooney takes its story from Chaucer’s Canterbury Tales. It is the story of the rooster named Chanticleer who let himself be flattered by a cunning fox. He is saved in the end, but the reader learns the lesson. There are few things about it that don’t sit well for me
The 1985 Caldecott winner is a retelling of a story from Edmund Spencer’s Faerie Queen, Saint George and the Dragon, by Margaret Hodges and illustrated by Trina Schart Hyman. I’m not familiar with the original story, but this retelling is full of adventure as the brave knight faces the dragon day after day until it is
The Graphic Alphabet by David E. Pelletier (Caldecott Honor 1997) illustrates the letters doing various things, all with graphic design. This is not your normal alphabet book of “a is for apple”! The “A” illustrates an avalanche, the “B” is illustrates a “bounce”, and so forth. I think it is a clever alphabet book for other
Tasha Tudor’s illustrated Mother Goose is gentle and adorable. The children she illustrates are all rather cherubic. At the same time, there was a dated feel to her collection of nursery rhymes. That may be because some of her rhymes are unfamiliar, but the pictures were not as bright and engaging as other collections. In fact, every
I like how in Tomie De Paola’s Mother Goose, the author has included the lyrics for lullabies along with nursery rhymes in his classically illustrated Mother Goose book. There are often many short rhymes per page. Because there is no structural organization, it is somewhat confusing at times and I wished for thematic structure. But I
Olivia! by Ian Falconer (Caldecott Medal 2001) is a picture book that perfectly captures the nature of being a child: everything is fun and drama to the little pig Olivia. She wears herself out. She finds her little brother annoying. She likes to try on clothes. The illustrations expand on the subtleties of the text. For
Cinderella, or, The Little Glass Slipper by Marcia Brown (Caldecott Winner 1955) has crayon, watercolor, and ink with appropriately gentle pictures for the story of a little Cinderella, who pines after the ball. At first glance (the cover) I wasn’t sure about the illustrations, but once I opened the book and saw the coloring of
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