Classics, Nonfiction, and Children's Literature
“The Horla” is the term for the invisible ghost-like creature that haunts the unnamed narrator in Guy de Maupassant’s short story of the same name (written 1887). Maupassant’s story is a journal of this man’s decent into madness. Maupassant captures panic in a real way, and the ending is simply wonderful. When I first read
Germinal by Emile Zola (first published in French, 1885) is so much more than I can capture in a summary or in an opinion post or review or whatever it is I write. Germinal is 500 pages that immersed me in a world of starving and ill people in an obscure mining town living a
Today is my first day to report on my ghost stories reading project. I’m tackling the Everyman’s Pocket Classics Ghost Stories volume, aiming to read one or two stories a week. My first ghost story was a rather tame one, even by my “I scare easily” standards. In “The Body-Snatcher” by Robert Louis Stevenson (first
In The Grapes of Wrath (published 1939), John Steinbeck captured the lives of his contemporary Americans, those living at or below the poverty line in the midst of the Great Depression. While the Joads’ migrant story was moving and I came to love many of the family members, The Grapes of Wrath is so much
Voltaire’s Candide (originally published 17581) is alternatively titled Optimism. A rosy outlook on life is the main target of Voltaire’s satire. Rather than embracing a truly pessimistic approach to the world, however, Voltaire seems to me to be arguing for a realistic and reasonable approach to life. The humorous look at both optimism and pessimism
Through a series of vignettes, Tove Jansson in The Summer Book (first published 1972) manages to create a magical summer on an island, a summer in which one young girl grows up a little and a grandmother comes to terms with her advancing age. Young Sophie has recently lost her mother, and that’s all we
Melodrama is defined by Merriam-Webster as a work characterized by extravagant theatricality and by the predominance of plot and physical action over characterization. By creating a world with both excessively good characters and excessively evil characters, Harriet Beecher Stowe’s novel about the horrors of slavery is certainly melodramatic. Yet, given her intended audience and the
Magdalen and Norah Vanstone’s story (which cannot really be discussed without spoilers, i.e., don’t read the back cover) left me less satisfied than usual with Mr. Wilkie Collins, but there is no denying that No Name (first published 1862) was a page-turning, suspenseful book. As with other Wilkie Collins novels, there are mistaken identities, disguises,
In her memoir The Glass Castle, Jeannette Walls tells the story of her neglected childhood, from her father (who is usually drunk) to her mother who is (I believe) mentally ill. With her obvious inner strength and intelligence, Ms Walls rises above poverty and discrimination to become a successful writer. Lily Casey Smith, the protagonist
It is unfair of me to only allot “brief” afterthoughts for the mega-monster volume that is Gone with the Wind but I do hope to rein in my frustrations. I know Gone with the Wind (1939) is a beloved novel by many. It did little for me. Please note that this is my negative opinion.
At first, The Space Between Us by Thrity Umrigar reminded me of The Help. Obviously, given the very different settings, the book was very different as a whole from The Help. But I loved reading about the friendship and lives of two very different women. The book was beautifully written, and although the realistic issues
Yesterday evening I returned home from my classics book club meeting very sad. We read Mrs Dalloway by Virginia Woolf, and when I last read it, I remember wishing I could read and discuss with other classics readers. My classics reading group (last year, a total of four of us) agreed to give it a
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