Classics, Nonfiction, and Children's Literature
After reading Edgar Allan Poe last week, I thought I’d stay in the same era and read Nathaniel Hawthorne’s stories. To my delight, many of Hawthorne’s stories perfectly fit the “gothic” theme of Halloween in a style that I loved. Even though I dislike of being “scared,” these stories were again the perfect amount of
In The Uncommon Reader by Alan Bennett, the Queen discovers the joys of reading. As I read about the Queen’s reading journey, I found many similarities to my own reading journey. The Queen voiced my own thoughts about reading, and I loved relating to her. But while The Uncommon Reader was a funny, easy read,
What am I looking for when I read the Iliad this month? I’ve been wondering that, especially now that I have four translations before me. As I mentioned when I wrote about Aesop’s writers last week, a translation can make a big difference in how a story is portrayed. I’m not against a literal translation,
In The Handmaid’s Tale, Margaret Atwood creates a powerful futuristic dystopia in which a quasi-religious political organization has taken control of the United States, creating a men-centered universe determine to procreate, even if via “handmaids.” In the attitude of George Orwell’s 1984, Ray Bradbury’s Fahrenheit 451, Lois Lowry’s The Giver, and I’m sure many others,
In my mind, Edgar Allan Poe is the most well-known Halloween-ish short story writer. To keep up with the season, I reread some of Poe’s short stories. I enjoyed his stories when I was younger – I even rewrote “The Fall of the House of Usher” as a play for my high school’s Halloween “one-act
To understand Flannery O’Connor’s short stories is understand the rural South that she was familiar with in the pre-1970s. Her stories focus on aspects character in human, every-day situations all revolving around her South, dealing with race relations, Christianity, rural versus city living, parent-child relationships, etc. She brings the reader into the settings by capturing
Washington Irving’s ghost stories are just my type of ghost story: they’re tricky and creepy, but full of twists. Irving’s twists are rather predictable, but I found that Irving’s long-winded, wordy, early-1800s prose made his stories delightful to read.
I knew that Madame Bovary by Gustave Flaubert was about an adulterous woman. But for some reason, I assumed that the title character was a despicable, ugly, tricky middle-aged woman. “Madame” makes one sound old. Besides, when I was young, my mother had a copy of Madame Bovary; it must have been an old copy
After reading, in the past months, the short stories of Turgenev, Chekhov, Maupassant, James Joyce, and Hemingway, I found O. Henry‘s stories to be remarkably different. They were refreshingly delightful, poignant, and easy to read, and yet, I was struck by the inferiority of O. Henry’s actual writing in comparison to the others. In the
Hemingway’s stories are poetry: that is my first and lasting impression of Ernest Hemingway’s short stories. In his short stories, Hemingway treats words as sparsely as do poets. I don’t usually understand or enjoy poetry because it feels like so much must be inferred or interpreted. (After I finish reading the HTR&W short stories, I’m
In Dubliners, his collection of short stories, James Joyce captures Irish life, specifically the lives of Dubliners. Each story is a magnificent sketch of the people, setting, and situations; the entire collection presents a variety of such sketches. At the end of each sketch, I felt the despair that I believe Joyce intended to impart
As I mentioned, Maupassant was a best-seller in his day. What makes his stories resonate with the modern reader is the attention to our own natural wants.
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