The Jungle Book and The Second Jungle Book by Rudyard Kipling contain much more than the story of the adopted wolf-boy, Mowgli, who is probably the most familiar of Kipling’s characters. Kipling’s Jungle Books are collections of stories about animals and people from around the world. Each story seems to be rooted in traditional facts

Read Post

[amazon_link asins=’B000I9VOO4′ template=’RightAlignSingleImage’ store=’rebereid06-20′ marketplace=’US’ link_id=’7ddffe1b-17f4-11e7-ad88-c96d2a60b2c1′]Making a movie of To Kill a Mockingbird (reviewed here) was like killing a mockingbird: a sin. In the beginning, I thought “Wow, this is bad; they should do a remake.” By the end, I decided that no remake could capture the beauty of the novel: any film is bound

Read Post

It’s not Maupassant’s fault, but I have a grudge against him already: his book stinks. The librarian had to retrieve it from The Stacks. The first thing I noticed as she returned was its size. At more than 1300 pages, it thudded on the counter. Then, as she swiped my library card and pushed the

Read Post

[amazon_link asins=’0446310786′ template=’RightAlignSingleImage’ store=’rebereid06-20′ marketplace=’US’ link_id=’debcb40e-17f3-11e7-ba88-d5e79d61f198′]Harper Lee wrote one novel, To Kill a Mockingbird, and it won the Pulitzer prize in 1961. Its themes still resonate with readers and her novel has become a part of our culture. That, I believe, is success. To Kill a Mockingbird by Harper Lee almost perfectly captures the main

Read Post

Mirth, noun: gladness or gaiety as shown by or accompanied with laughter [amazon_link asins=’0140187294′ template=’RightAlignSingleImage’ store=’rebereid06-20′ marketplace=’US’ link_id=’09ffaf72-17f4-11e7-81e6-99323011447d’]If you are looking for “mirth,” The House of Mirth by Edith Wharton is not the book for you. The House of Mirth is about a woman searching for happiness where true happiness will not to be found:

Read Post

I loved reading Chekhov’s stories. I read a volume of them, translated by Richard Pevear and Larissa Volokhonsky, as well as “The Kiss,” which was recommended by Bloom and unfortunately wasn’t included in the volume translated by Pevear and Volokhonsky. My favorite stories tended to be the shorter ones that focused on one character or

Read Post

At Harold Bloom’s suggestion in HTR&W, I tackled “Bezhin Lea” and “Kasyan from the Beautiful Lands” by Ivan Turgenev. I say “tackled” because, unfortunately, these stories were evidence to me that I am accustomed to reading quickly and easily; reading them was a “difficult pleasure.” I expect not all of the stories on Bloom’s reading

Read Post

Dune by Frank Herbert is a story of a boy searching for himself, and what Paul Atreides discovers about himself is beyond his expectations. Dune is a story of realization. Paul must face his fear, and Jessica, his mother, must face hers as well. For me, Dune was a reminder that it is better not

Read Post

In How to Read & Why, Bloom doesn’t dwell long on defining the short story in his introduction to the genre. However, he does introduce some ideas of what a short story may be and asks generally how one should read a short story. He bases his comments on other’s definitions. Some of these he

Read Post