Classics, Nonfiction, and Children's Literature
After I finished reading Husain Haddawy’s translation of The Arabian Nights (reviewed here), I still felt unfulfilled. I turned to The Arabian Nights II to get Haddawy’s translation of some of the traditional stories. In the end, I now have a better appreciation for the first volume of stories: those first stories were by far
I really like audiobooks sometimes because it gives a book a new edge. I absolutely loved listening to a selection of John Cheever’s stories via audiobook. The John Cheever Audio Collection was very well done. As I listened to the stories, I kept recalling my time reading the short stories of Chekhov and Maupassant last
It’s bawdy. It’s erotic. It may be inappropriate for young minds. It’s irreverent, especially considering a strict Islamic world such as the 1500s when they were written. And yet, The Arabian Nights has historically been an immensely popular collection of stories. As The New Lifetime Reading Plan reminds me, these were one of the first
The Once Upon a Time III Challenge has a “Short Story Weekend” mini-challenge, so I thought I’d visit some fairy tales. To my surprise, the copy of Charles Perrault’s Complete Fairy Tales that I found was less than 200 pages and written for children, so I breezed through all of them very quickly. Many of
Invisible Cities by Italo Calvino was a book that confused me from beginning to end, and yet I am glad I read it. Calvino was trying to do something creatively strange, and I think I missed it, but the strangeness was a bit rewarding in the end. All that said, I am struggling to say
I’m somewhat at a loss of what to say about Gogol’s Wife and Other Stories by Tommaso Landolfi. In some respects, Landolfi’s stories reminded of Borges’ Fictions: they have elements the bizarre. I didn’t enjoy reading Borges (thoughts here), but I did sense a genius and power behind the writing. Landolfi’s writing is likewise laudable,
Ficcciones by Jorge Luis Borges is about 170 pages in Spanish; the English translation of the same book is about 120 pages (within Borges’ Collected Fictions). Why, then, has this book taken weeks to get through? Borges’ writing style is powerful. In some sense, I’m glad I struggled through Borges just to get a feel
In his stories, Vladimir Nabokov so perfectly captures a character, or a setting, or an emotion, that I feel that the character is real, the setting surrounds me, and the emotion is my own. His writing in these stories is so well done that I, a very amateur writer, feel the urge to try my
After reading Edgar Allan Poe last week, I thought I’d stay in the same era and read Nathaniel Hawthorne’s stories. To my delight, many of Hawthorne’s stories perfectly fit the “gothic” theme of Halloween in a style that I loved. Even though I dislike of being “scared,” these stories were again the perfect amount of
In my mind, Edgar Allan Poe is the most well-known Halloween-ish short story writer. To keep up with the season, I reread some of Poe’s short stories. I enjoyed his stories when I was younger – I even rewrote “The Fall of the House of Usher” as a play for my high school’s Halloween “one-act
To understand Flannery O’Connor’s short stories is understand the rural South that she was familiar with in the pre-1970s. Her stories focus on aspects character in human, every-day situations all revolving around her South, dealing with race relations, Christianity, rural versus city living, parent-child relationships, etc. She brings the reader into the settings by capturing
Washington Irving’s ghost stories are just my type of ghost story: they’re tricky and creepy, but full of twists. Irving’s twists are rather predictable, but I found that Irving’s long-winded, wordy, early-1800s prose made his stories delightful to read.
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