In Tod of the Fens (published 1928), author Elinor Whitney creates a story connecting a group of men living in the low-lying fens of Lancashire, England with the happenings in the neighboring medieval town of Boston (see information on Wikipedia about Boston, England). With a distinct Robin Hood feel, the novel’s men in the fens

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The Weight of Vengeance : The United States, the British Empire, and The War of 1812 by Troy Bickham (Oxford University Press, 2017) is a scholarly look at the “forgotten war.” Throughout my life, I have known very little about the War of 1812, so I was eager to learn more about this war that

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Gadzooks! The 1922 Newbery award “runner up” (later renamed Newbery Honor) Cedric the Forester by Bernard Marshall (originally published by Appleton, 1921) is a perilous romp, wherein knights clash with the churls of Medieval England, united in a quest against invaders from Scotland and Wales. Furthermore, the saga tells the story of a Cedric, a

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Pride and Prejudice-inspired Mrs. Wickham by Sarah Page (available on Audible) is a short audio drama that focuses on the former Lydia Bennett’s life after her elopement with Mr. Wickham. Pride and Prejudice fans that consider Lydia a simple and foolish girl will be surprised to see inside her mind: in this full-cast audio drama,

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Beatrice Nash is an educated, talented, and pleasant woman. But life in 1914 England does not give much credence to those qualities when she has been left orphaned and impoverished at the old maid age of 22 without any marriage prospects. To make matters worse, she must rely on her unfriendly relatives for assistance in finding

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Ah, my Wilkie! It is so nice to come back to your familiar voice! Except no two narrators in Wilkie Collins’ novels have the same voice. It is one of Collins’ masterpieces of talent that he creates unforgettable narrators with personality and voice. His novels are such a delightful comfort read for me because they

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I wish I could finish off my series of posts on Henry VI with as much enthusiasm as I had for the second play, but 3 Henry VI (written 1595) was simply not as enjoyable as 2 Henry VI was. In the first place, 3 Henry VI is simply violent from the first scene, when

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Coming off the heels of 1 Henry VI, the next play, 2 Henry VI, struck me as wonderfully written. I hadn’t found much to stand out in 1 Henry VI. But from the beginning, the analogies, the rhythm of the poetry, and the play on words impressed me in the second play. As the action

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