I wrote about my thoughts on D’Aulaires’ Norse Gods and Giants separately. However, I don’t believe one needs an introduction to Norse mythology to fully appreciate A.S. Byatt’s Ragnarok (published in the U.K. in 2011; to be published in the U.S. in February 2012). In Ragnarok, Byatt creates the world of the Norse gods and

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Although I grew up with D’Aulaires’ Greek Myths, I have never been familiar with traditional Norse mythology. I have a Scandinavian heritage, so this seems a bit sad to me. When I saw that A.S. Byatt’s new addition to the Canongate Myths series was about the end of the world according to Norse mythology, I

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Through a series of vignettes, Tove Jansson in The Summer Book (first published 1972) manages to create a magical summer on an island, a summer in which one young girl grows up a little and a grandmother comes to terms with her advancing age. Young Sophie has recently lost her mother, and that’s all we

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Henrick Ibsen A Doll’s House (Et Dukkehjem, written 1879) is better known than Ghosts (Gengangere, written 1881), and in my opinion, the former is also a more polished drama. Yet, when I think of one of these plays by Ibsen, I cannot but think of the other. I don’t remember which I read first, but

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Knut Hamsun’s Hunger is about pride in being human, the ridiculousness of everyday life, and the hopelessness of the two of those combined. As the title may suggest, the unnamed narrator is a hungry starving artist, struggling to write to earn money to pay for a meal. His life physically depends on his ability to

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