Classics, Nonfiction, and Children's Literature
When I read One Hundred Years of Solitude by Gabriel GarcÃa Márquez (published 1967) half a decade ago, I didn’t understand it, but I loved every bit of it. As I struggled for months through the saga (part of which I read in the original Spanish, part in translation by Gregory Rabassa), I found myself
Pablo Neruda’s early poetry (specifically, Twenty Love Poems and a Song of Despair) does not have much to do with Sandra Cisneros’ The House on Mango Street. Neruda was a Chilean who wrote love poetry (in Spanish) in the early 1900s at the age of 20. Hispanic-American Sandra Cisneros wrote in the 1980s a short
Like Water for Chocolate by Laura Esquivel is almost a genre by itself. The traditional Mexican recipes are provided in a novel format as it tells the story of Tita, Tita’s overbearing mother, and Tita’s lover, Pedro, who marries her sister. And yet, it’s not a cook book, and I don’t think it’s not an
Ficcciones by Jorge Luis Borges is about 170 pages in Spanish; the English translation of the same book is about 120 pages (within Borges’ Collected Fictions). Why, then, has this book taken weeks to get through? Borges’ writing style is powerful. In some sense, I’m glad I struggled through Borges just to get a feel
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