Classics, Nonfiction, and Children's Literature
Note: this post contains “spoilers” for the first 60% of Bleak House. I have a book club discussion on this book next Wednesday night, so I have been pushing myself to read quickly: this has been my main reading material this week (after I finished 2 Henry VI, that is — more on that tomorrow,
This week’s short stories were fantastic. One was hilarious (bet you can guess which one) and two (the Wodehouse and the Hartley) seemed directly related to each other since they were both about writers of fiction. (Unfortunately, the stories I read this week are not in the public domain, so I can’t link to them
According to my Harmon and Holman A Handbook to Literature, “romance” has had a special meaning in terms of literature since the beginning of the novel. As opposed to a “novel,” a term which suggested realistic manners and society, a “romance” was more unlikely to happen in reality. In common usage, [romance] refers to works
When I reviewed and analyzed Julius Caesar in depth back in June, I expected that I’d do the same with all the other Shakespeare plays I read while I have had this blog. And yet, I cannot “analyze” Macbeth. While I enjoyed reading Macbeth, it was not a “deep” reading experience for me. I’ve found
The narrator of Alice Sebold’s first novel, The Lovely Bones, is dead. Meet Susie. Susie Salmon was 14 when she was brutally raped and murdered in a cornfield near her home. Now, as her family recovers and learns to live again, she watches them from her gazebo in her heaven and begins to come to
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