The Adventures of Pinocchio by Carlo Collodi is almost a fairy tale. There is a magical fairy, there are talking animals, and of course, there is talking marionette who wants to be a real boy. And yet, Collodi’s tale fell just a little short of fairy tale status because of the obvious moralizing lessons: the

I haven’t reviewed my son’s reading since January. This is partly because I’ve been busy moving, but also because my son has been enjoying the books I’ve already mentioned. In fact, he loves all books at 18 months old. I can’t hold a book without him coming over and taking it away for his own

When I mentioned at the beginning of the month that I don’t like science fiction, someone reminded me that “dystopias” are a type of science fiction. Since I have enjoyed the few dystopias I’ve read, I thought I should continue to give the genre a try. In response to my post about Anthem, Stewart suggested

In A Caldecott Celebration: Six Artists and Their Paths to the Caldecott Medal, Leonard Marcus illustrates the long road six Caldecott illustrators followed to produce to an award-winning book. This book is a combination of biography and art history as it looks at how six artists approached children’s book illustration over the last six decades.

How many times have you reread the same story? Exercises in Style by Raymond Queneau is a collection of the same story, written 99 different ways. Some of the stories are fascinating retellings in various styles. Some are stereotypes (feminine, cockney, Gallacism, exclamations), some are in different perspectives (past, present, blurb, ignorance), some are different

I loved reading The Silmarillion by J.R.R. Tolkein (thoughts here), mostly for its beautiful and flowing language, so I thought I’d next pick up The Hobbit, which is a children’s story and takes place chronologically before The Lord of the Rings. Unfortunately, I didn’t like it. I found the story tedious and the writing stilted.

I loved reading Vladimir Nabokov’s short stories a few months ago because his control of language is so powerful, although I did feel that some of his stories were rather odd. Nabokov’s novel Pale Fire is similar in that it is both odd and powerfully written. It is a masterwork of creation: who but Nabokov

I thought that The Odyssey by Homer (trans. by Robert Fagles) was much more readable than The Iliad (also trans. by Fagles) was. It was driven by far more action, and the ending was happy.  I found it a delight to read, as I did The Iliad. And yet, I was surprised by how much