Classics, Nonfiction, and Children's Literature
I did not like being a teenager. Particularly ages 13 through 17. I was awkward. I was easily embarrassed. I was unpopular (or so I thought). I was nerdy. I was shy. I felt powerless. I wanted to be someone, and I was stuck just being me. I suppose that’s why I’ve always avoided reading
It’s been a while since I’ve reviewed what my son (age 21 months) is reading, so I thought I’d jump in and mention some highlights. It’s so much fun to see my son loving reading. He’s also definitely developing preferences and favorite things in his life, so now his reading is becoming focused on what
In Chapter 6 of my history of children’s literature textbook, Children’s Literature, Seth Lerer indicates: Almost from its original publication in 1719, Daniel Defoe’s Robinson Crusoe had an immense impact on literature for children and adults. It has been widely seen as one of the first major novels in English; as the stimulus for a
Mrs. Piggle-Wiggle is a magical friend to children, with her upside-down house and delicious cookies that are always waiting for you. She’s also a wonderful help to parents, who often don’t know how to solve the problems of parenthood. When I was young I loved learning Mrs. Piggle-Wiggle’s “cures” for naughty children’s problems, such as
I’ve got a winner to my contest! No one guessed the most popular book searched for on Rebecca Reads. The book that I get the most searches for is a children’s book. It is one that I think almost everybody has read at least once: Goodnight Moon by Margaret Wise Brown. I wrote a post
I enjoyed The Midwife’s Apprentice by Karen Cushman, a Newbery-winning novel. Cushman believably created a 1300s scene, and I liked learning about midwifery and superstition in the middle ages. While modern girls won’t face trials as extreme as the girl’s in the novel, they still must develop self-confidence and determine what their own dreams are.
Poetry for Young People: William Shakespeare (edited by David Scott Kastan and Marina Kastan and illustrated by Glenn Harrington) goes beyond Shakespeare’s sonnets. In just 50 pages, the editors have also included some of the key speeches from Shakespeare’s repertoire. As with other volumes in the series, each page has a bit of explanation about
Green Knowe is a medieval castle in the English countryside, and it is full of enchantment and ghosts. L.M. Boston’s chronicles about the manor house are full of child-like delight. And yet, describing the series as a whole is challenging. They all, but one, involved magic of some kind. They all, but one, focus on
Simms Taback has an illustration style all his own. His children’s picture book illustrations are often a blend of watercolor, gouache (an opaque watercolor painting), pencil, ink, collage, and I even observed some crayon illustrations. His colors are bright and his books have subtle jokes in the illustrations (for the parents to find). So far,
The Poetry for Young People series provides classic poets in a slim illustrated volume, complete with vocabulary glosses or background information as needed. I enjoyed how the Poetry for Young People: Lewis Carroll (edited by Edward Mendelson and illustrated by Eric Copeland) volume included background information about each poem so I knew who and what
Rose, Where Do You Get that Red? by Kenneth Koch is written for educators, and yet it is accessible to others. Reading it as a mother shows me that reading classic poetry to my young child can be inspiring in not just their own understandings of poetry but also in their own writing. There is
The Adventures of Pinocchio by Carlo Collodi is almost a fairy tale. There is a magical fairy, there are talking animals, and of course, there is talking marionette who wants to be a real boy. And yet, Collodi’s tale fell just a little short of fairy tale status because of the obvious moralizing lessons: the
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