Classics, Nonfiction, and Children's Literature
I enjoyed The Midwife’s Apprentice by Karen Cushman, a Newbery-winning novel. Cushman believably created a 1300s scene, and I liked learning about midwifery and superstition in the middle ages. While modern girls won’t face trials as extreme as the girl’s in the novel, they still must develop self-confidence and determine what their own dreams are.
Poetry for Young People: William Shakespeare (edited by David Scott Kastan and Marina Kastan and illustrated by Glenn Harrington) goes beyond Shakespeare’s sonnets. In just 50 pages, the editors have also included some of the key speeches from Shakespeare’s repertoire. As with other volumes in the series, each page has a bit of explanation about
Green Knowe is a medieval castle in the English countryside, and it is full of enchantment and ghosts. L.M. Boston’s chronicles about the manor house are full of child-like delight. And yet, describing the series as a whole is challenging. They all, but one, involved magic of some kind. They all, but one, focus on
Simms Taback has an illustration style all his own. His children’s picture book illustrations are often a blend of watercolor, gouache (an opaque watercolor painting), pencil, ink, collage, and I even observed some crayon illustrations. His colors are bright and his books have subtle jokes in the illustrations (for the parents to find). So far,
The Poetry for Young People series provides classic poets in a slim illustrated volume, complete with vocabulary glosses or background information as needed. I enjoyed how the Poetry for Young People: Lewis Carroll (edited by Edward Mendelson and illustrated by Eric Copeland) volume included background information about each poem so I knew who and what
Rose, Where Do You Get that Red? by Kenneth Koch is written for educators, and yet it is accessible to others. Reading it as a mother shows me that reading classic poetry to my young child can be inspiring in not just their own understandings of poetry but also in their own writing. There is
The Adventures of Pinocchio by Carlo Collodi is almost a fairy tale. There is a magical fairy, there are talking animals, and of course, there is talking marionette who wants to be a real boy. And yet, Collodi’s tale fell just a little short of fairy tale status because of the obvious moralizing lessons: the
For fun, I read my son Mike Mulligan and His Steam Shovel by Virginia Lee Burton. I loved this book as a child, and while I know my son is still too young to sit still (he’s just 18 months), I read it while he played. I still enjoy it, and I can hope my
I haven’t reviewed my son’s reading since January. This is partly because I’ve been busy moving, but also because my son has been enjoying the books I’ve already mentioned. In fact, he loves all books at 18 months old. I can’t hold a book without him coming over and taking it away for his own
I loved reading The Silmarillion by J.R.R. Tolkein (thoughts here), mostly for its beautiful and flowing language, so I thought I’d next pick up The Hobbit, which is a children’s story and takes place chronologically before The Lord of the Rings. Unfortunately, I didn’t like it. I found the story tedious and the writing stilted.
When I handed Pat the Bunny by Dorothy Kunhardt to my son after I read it to him in the library, he got a really big kid smile on his face and he held it close to him. It’s a small book, just right for little hands. But the pleasure comes from the interaction: my
I was going to read Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin for the US Presidents Reading Project. But then I started to be intimidated by its 800+ pages; I’m currently reading a 700+ page book and I have been for three months. So, while I do plan on
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