Classics, Nonfiction, and Children's Literature
Greg’s Microscope by Millicent Selsam (illustrated by Arnold Lobel and published 1963) is an early reader that explores the variety of small things that may be seen through a microscope. It is easily accessible, even to an early reader, because of the friendly, story-like tone to the book. It has a dialogue-based story of Greg
Beverly Cleary’s Henry Huggins series nicely captures the creative Henry through his upper elementary years, especially focusing on his innovation, his creativity as a kid, and the antics of his adopted stray dog, Ribsy. Although the series is dated, having been written beginning in the 1950s, Henry’s adventures show universal frustrations and difficulties that any
As with many of the Let’s-Read-and-Find-Out series books, Franklyn M. Branley’s Down Comes the Rain, illustrated by James Graham Hale (Let’s-Read-and-Find-Out Stage 2, Harper Collins, 1963/1997), interests the child reader by giving examples of simple things for children to do and try throughout. For example, it suggests activities such as dipping one’s fingers in water,
Winner of the Newbery Medal in 1962, The Bronze Bow by Elizabeth George Speare (originally published in 1961) is an amazing story about a boy in Galilee during the time of Jesus. Daniel bar Jamin is an angry teenager, looking for revenge on the Roman soldiers who occupy his land. As a politically charged novel, then,
Although I grew up with D’Aulaires’ Greek Myths, I have never been familiar with traditional Norse mythology. I have a Scandinavian heritage, so this seems a bit sad to me. When I saw that A.S. Byatt’s new addition to the Canongate Myths series was about the end of the world according to Norse mythology, I
When I read One Hundred Years of Solitude by Gabriel GarcÃa Márquez (published 1967) half a decade ago, I didn’t understand it, but I loved every bit of it. As I struggled for months through the saga (part of which I read in the original Spanish, part in translation by Gregory Rabassa), I found myself
I’m somewhat at a loss of what to say about Gogol’s Wife and Other Stories by Tommaso Landolfi. In some respects, Landolfi’s stories reminded of Borges’ Fictions: they have elements the bizarre. I didn’t enjoy reading Borges (thoughts here), but I did sense a genius and power behind the writing. Landolfi’s writing is likewise laudable,
In flowing, beautiful language, The Silmarillion tells the origin and early tales of J.R.R. Tolkein’s middle-earth. Written as “Elven” songs, The Silmarillion is dense at times. Yet as the tale of the creation of Arda and the children of Ilúvatar (both Elves and men) unfolded, I was in awe of not just Tolkein’s incredible control
In his stories, Vladimir Nabokov so perfectly captures a character, or a setting, or an emotion, that I feel that the character is real, the setting surrounds me, and the emotion is my own. His writing in these stories is so well done that I, a very amateur writer, feel the urge to try my
Where the Wild Things Are by Maurice Sendak. When Max is sent to his room without supper, he finds himself on a journey to where the wild things live. But, in the end, he longs to return to where there are people who love him and he returns to his room to find supper waiting.
To understand Flannery O’Connor’s short stories is understand the rural South that she was familiar with in the pre-1970s. Her stories focus on aspects character in human, every-day situations all revolving around her South, dealing with race relations, Christianity, rural versus city living, parent-child relationships, etc. She brings the reader into the settings by capturing
The colorful illustrations, the rhythmic words, and the familiar animals make Brown Bear, Brown Bear, What Do You See? by Bill Martin Jr. and Eric Carle a favorite picture book. On each page, the reader asks an animal what he sees; the animal responds with another animal. In the end, the students in a classroom
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