In honor of my 31st birthday on Sunday, I thought I’d find a Persephone book with a title that made me laugh: It’s Hard to be Hip Over Thirty and Other Tragedies of Married Life by Judith Viorst. Being in the USA, however, I only found the non-Persephone edition, the original 1968 publication of Viorst’s

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This is the kind of book that I don’t like to review (because I didn’t really like it and many others in the blogosphere do), so I’ll keep this post short. I liked bits of Woman: An Intimate Geography by Natalie Angier (1999), and then the author started really irritating me. My main issue was

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Melodrama is defined by Merriam-Webster as a work characterized by extravagant theatricality and by the predominance of plot and physical action over characterization. By creating a world with both excessively good characters and excessively evil characters, Harriet Beecher Stowe’s novel about the horrors of slavery is certainly melodramatic. Yet, given her intended audience and the

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The title of Lorraine Hansberry’s debut play about 1950s Southside Chicago comes from a classic poem by Langston Hughes, and Hansberry includes it as an epigram to the play. What happens to a dream deferred? Does it dry up like a raisin in the sun? Or fester like a sore– And then run? Does it

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Although Herland by Charlotte Perkins Gilman is a slim book (124 pages), the issues raised are relevant today. I wouldn’t say Gilman’s writing is stunning or beautiful. The plot is not engaging or page-turning. It is predictable and overly “convenient.” The characters are stereotypes on steroids. But rather than expecting any of those other things,

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