Classics, Nonfiction, and Children's Literature
The Wednesday Wars by Gary D. Schmidt (Houghton Mifflin Harcourt, 2007) is a powerful young adult novel that shares the pivotal 1967-1968 school year from the perspective of seventh-grader Holling Hoodhood. In The Wednesday Wars, his fellow students go to their religious schools (Catholic school or the Jewish synagogue) on Wednesday afternoons. As the lone
Stanley Wells is one of the world’s premier Shakespearean scholars, with, as he discusses in his epilogue, more than 80 years of experience of studying, teaching, reading, and watching Shakespeare. His newest book is an exploration of the man: What Was Shakespeare Really Like? (Cambridge University Press, September 2023). He writes about Shakespeare by considering
The Death of Caesar: The Story of History’s Most Famous Assassination by Barry Strauss (Simon & Schuster, March 2015) examines the traditions of the assassination of Julius Caesar, clearing up the myths (such as Shakespeare’s play) from reality. Analyzing such a historic event from 44 B.C. is not easy since eyewitness accounts are few and far
William Shakespeare’s plays have abundant evidence of the influences on the man behind the words. Shakespeare obviously was familiar with the world and especially human nature. I’ve read that he did not get some geographic facts correct, but in general, he seems to have been pretty well rounded. Just read a play and you can
The Comedy of Errors by William Shakespeare felt a lot like Love’s Labour’s Lost when I read it because there was misdirected love. But The Comedy of Errors takes humor to another level by adding in mistaken identity because of a double set of identical twins! In The Comedy of Errors, there are two sets
I had hoped that by waiting a week or two I’d know what I want to say about Love’s Labour’s Lost, but after all this time I still have very little to say. I worry that I feel this way because I read a free Project Gutenberg version of it, and as I read in
Shakespeare on Toast by Ben Crystal (Icon Books, September 2012) purports to be a book for young adults, providing a look at Shakespeare as “as easy to handle as beans on toast”. That must be a British thing because beans on toast sounds pretty gross to me. (I don’t like beans.) At any rate, Shakespeare
As I followed along with Allie’s Shakespeare Month in January, I was impressed that so many of the plays that other readers discussed sounded familiar, even though I knew I had not read them or seen them performed. I knew I had never seen or read A Merchant in Venice, for example, but the plot
Bill Bryson is not a Shakespeare scholar, and his brief biography of Shakespeare (published 2007 for HarperCollins as part of the Eminent Lives series) reflects that. The tone of the book is light, accessible, and succinct. Bryson’s approach to the Bard was to admit the gaps in his life and rather focus on what we
I wish I could finish off my series of posts on Henry VI with as much enthusiasm as I had for the second play, but 3 Henry VI (written 1595) was simply not as enjoyable as 2 Henry VI was. In the first place, 3 Henry VI is simply violent from the first scene, when
Although a slim volume, Shakespeare and his Contemporaries by Charles Nicholl (published by the British National Portrait Gallery 2005) accomplishes it’s purpose. As the title indicates, the volume illustrates the various persons, distinguished and not, that Shakespeare was familiar with during the years of his life. Some of these people were associates of the Bard:
Coming off the heels of 1 Henry VI, the next play, 2 Henry VI, struck me as wonderfully written. I hadn’t found much to stand out in 1 Henry VI. But from the beginning, the analogies, the rhythm of the poetry, and the play on words impressed me in the second play. As the action
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